In Gouda Waits My Guru

This just in… the voice teacher I wanted to study with in the Netherlands agreed to teach me this summer! Yahooooooooo!

Jetzt gehe ich nach Holland.

Details: Every two weeks I’ll take a ten hour overnight train ride to Holland, where I will spend two days in Gouda eating cheese and throwing red wax around like confetti. Oh to dream! Want to join me?

This teacher is intense, and I’m going to get some serious teaching. Here’s what I mean…

She doesn’t give one hour lessons. Instead, she spends a HALF DAY on one lesson, working technique, working repertoire, working Alexander Technique, and then working the voice some more. There are lots of breaks, but I gather that it’s all very body/singing oriented. Then, she wrote that she believes she can (Huzzah!) help me with my middle voice, as long as I don’t try to avoid it anymore.

First item on the agenda… Una Voce Poco Fa. Gulp. And then Oscar, Tytania and the Schumann set.

So. No making nice and no fear of the middle voice. 

I’m told Persephone hails from the Edith Bers and James McDonald school of singing.

You ask, what exactly do they teach?

Balls. To. The. Wall. Singing.  

I’m in for a trip.

Senior Moments, brought to you by Clara Schumann’s lover

The first, very rough itinerary page is posted! Woohoo! ::victory dance::

Now down to business.

In my last post I decided to compare performances of specific pieces. Umm, what was I thinking?!?!? No artistic director in their right mind duplicates another ensemble’s repertoire. Fortunately for me, there are a select few instances where Brahms Symphony No. 2 will be played by different ensembles, but my enthusiasm wanes drastically for Brahms… even though I’ll be attending. Ach.

Don’t get me wrong, I appreciate Brahms. There’s no doubt that he was a master. Take two seconds to look at the way he plays with form and counterpoint in the string quartets and piano trios. The guy was a genius, and it’s no surprise that he paved the way for the likes of Schoenberg and Berg (swoon!). Still, I don’t enjoy listening to his music. All those sappy, sequenced 7-6 suspensions in the piano sonatas slay me. every. time. Blegh. Enough already! But I diverge…

In order to fix my lapse in common sense regarding repertoire, I’m left with no choice but to widen the parameters! Darn. Instead of comparing performances of specific pieces, I’ll be comparing composers and their respective musical styles/periods. Christine Schaefer (mein Lieblings Saengerin) will be singing sacred baroque music by Vivaldi and Pergolesi at Rheingau which will contrast nicely with the Bach performed at the Leipzig Bach Festival earlier in the summer. Performances of Mahler (Alma AND Gustav) songs will also contrast well with Victor Ullman’s songs salvaged from Teresienstadt and Wagner’s Die Meistersinger. To boot, BBC Proms Folk Nights provide a selection of composers that integrated “folk” into their music in vastly different ways, such as Vaughn Williams, Bartok, Grainger and Berio.

But, who ever thought Vaughn Williams and Berio would be on the same program???? Talk about culture shock. BBC Proms might just have topped La Scala’s awkward performance of La Boheme. Of course, it is prom, and we all know how awkward that can get…